D J Taylor
Take Note
Viewed sub specie aeternitatis, the freelance literary life can sometimes look simply like a succession of odd jobs. And so, without wanting any sympathy for the torments wreaked upon my sensitive soul, I should straightaway confess that I have in my time scripted in-flight videos for Cathay Pacific Airways, written reports and accounts brochures for defence manufacturers, and interviewed Damon Albarn for the Mail on Sunday. Earlier this year, on the other hand, there arrived what in the context of book reviews, op-ed columns and demands for 800 words on ‘an incident you’ll never forget’ was a relatively unusual commission: an invite from messrs Penguin to compile an ‘annotated’ edition of Nineteen Eighty-Four for the student market.
Why ‘unusual’? Well, in normal circumstances critical treatments of this kind are dished out to books that are a century and a half old: buxom editions of Thackeray’s The Newcomes (1855), say, with a glossary on the meaning of obscure subcontinental expressions such as kitmutgars and cansomahs (both Urdu terms
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk