This short, fast-paced and wide-ranging book begins with a list of platitudes, as Roger Scruton calls them, such as ‘Beauty pleases us’ and ‘In describing an object as beautiful, I am describing it, not me’ – the second of these is already clearly contentious – and concludes with a further instalment of his long-running commentary on the present age and its discontents, or his discontents with it, which first surfaced in Sexual Desire, his magnum opus of 1986, and was evident in Death-Devoted Heart, the book he devoted to Wagner’s Tristan und Isolde. With marked eccentricity, amongst much that was illuminating in the latter work, he claimed a strong element of sacrifice in the love of Tristan and Isolde, and indeed used the full Christian vocabulary of redemption, atonement, and so on, though without committing himself to the truth of Christianity.

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