Jane Ridley
‘The Eve of Horrible Things’
By Mark Bostridge
Viking 404pp £25
Mark Bostridge begins his account of England in 1914 with the story of the murder of a five-year-old boy named William Starchfield, the son of a poor seamstress from east London. His body was found one bitterly cold January afternoon on the train at Dalston. Nine months later, 18-year-old George Cecil, an officer in the Grenadier Guards and grandson of the former prime minister Lord Salisbury, was declared missing, presumed dead, three weeks after he crossed to France with the British Expeditionary Force. The agony of Cecil’s aristocratic mother, Violet, desperately searching for her son’s body, was every bit as painful as the anguish endured by the mother of Starchfield.
Bostridge debunks the idea of prewar England as a lost Eden and the myth of the long, hot summer of L P Hartley’s novel The Go-Between. The weather, he observes, was very average that summer (the record-breaking summer, in fact, was 1911). And the months before war broke out were
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk