Owen Matthews
The Oligarchy Will Be Televised
Nothing Is True and Everything Is Possible: Adventures in Modern Russia
By Peter Pomerantsev
Faber & Faber 284pp £14.99
Russia is at war, and the battlefield is the hearts and minds of ordinary Russians. Information is the weapon, journalists are the foot soldiers, Kremlin ideologists are the generals. Peter Pomerantsev’s perceptive and timely book Nothing is True and Everything is Possible tells the story of how the Russian state ‘weaponized’ information in grim and telling detail. Pomerantsev’s own experiences inside the belly of the leviathan as a young producer for Russian state television give him a unique and chilling insight into the way the state-controlled media in Russia really works.
The military analogy is not Pomerantsev’s but the Kremlin’s own. ‘Information war is now the main type of war, preparing the way for military action,’ says the Kremlin’s chief propagandist, Dmitry Kiselev – the infamous television anchor who also told his staff at Rossiya Segodnya on his first day as
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk