Adam Roberts
The QI-ification of Knowledge
Recently I read Frank Swain’s popular science book How to Make a Zombie (2013). It’s pretty good, and a fine example of its type. However, Swain’s book does not tell its readers how to make a zombie. There’s an obvious reason for this, and excellent grounds for not admitting it up front – the two words ‘you can’t’ won’t fill 250 pages, no matter how large the type used. So instead, Swain takes us on a Cook’s Tour of the myriad aspects of his topic, sprinkling interesting facts all around him. He knows a lot about biochemistry, physics, biology and psychology, and he lays these subjects before the reader with a lively style and without ever using an equation or an indigestible piece of nomenclature.
Swain’s book is a recent example of the kind of popular science books that have come to dominate factual publishing over the last decade or so. You know the kind of thing: a main title (a chemical element; a technology advance; an aspect of genetics), to which is appended a
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk