Adam Roberts
The QI-ification of Knowledge
Recently I read Frank Swain’s popular science book How to Make a Zombie (2013). It’s pretty good, and a fine example of its type. However, Swain’s book does not tell its readers how to make a zombie. There’s an obvious reason for this, and excellent grounds for not admitting it up front – the two words ‘you can’t’ won’t fill 250 pages, no matter how large the type used. So instead, Swain takes us on a Cook’s Tour of the myriad aspects of his topic, sprinkling interesting facts all around him. He knows a lot about biochemistry, physics, biology and psychology, and he lays these subjects before the reader with a lively style and without ever using an equation or an indigestible piece of nomenclature.
Swain’s book is a recent example of the kind of popular science books that have come to dominate factual publishing over the last decade or so. You know the kind of thing: a main title (a chemical element; a technology advance; an aspect of genetics), to which is appended a
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk