Saul David
Tough on Crime…
A Merciless Place: The Lost Story of Britain’s Convict Disaster in Africa
By Emma Christopher
Oxford University Press 432pp £16.99
The story of British convicts sent as indentured servants to the American colonies in the eighteenth century is well known – as is the choice of Australia as the new destination for Britain’s unwanted criminals after Britain’s defeat in the American War of Independence. Less familiar, if not virtually unknown, is the subject of Emma Christopher’s fascinating new history: the ill-fated attempt to use the west coast of Africa to solve Britain’s convict problem during the short interval between the effective loss of the American colonies in the late 1770s and the departure of the first transports to Botany Bay in 1787.
The idea was first put forward by William Eden, a prison-reforming undersecretary of state and the man responsible for the use of convict hulks in the Thames. Eden’s novel plan was to force convicts to join the British Army, and then send them to guard the slave forts
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk