Ursula K Le Guin
Towards Darkness
Retelling a great myth is like performing a famous piece of music: between faithfulness to the familiar score and personal interpretation of it lie many risks and choices. Between the worldview of a Norse skald, or poet, and that of a writer ten or fifteen centuries later, the scope for risks and choices is immense. Ragnarök, A S Byatt’s contribution to the Canongate Myths series, is a brilliant, highly intelligent, fiercely personal rendition of the Scandinavian mythology.
Its personal element has particular resonance for me because, like A S Byatt, I was a child during the Second World War. I, too, read the Norse myths, and like her I found they made sense of the strange world we were
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'The trouble seems to be that we are not asked to read this author, reading being a thing of the past. We are asked to decode him.'
From the archive, Derek Mahon peruses the early short fiction of Thomas Pynchon.
https://literaryreview.co.uk/rock-n-roll-is-here-to-stay
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From the archive, Christopher Hitchens on the Oxford Union.
https://literaryreview.co.uk/mother-of-unions
Chuffed to be on the Curiosity Pill 2020 round-up for my @Lit_Review piece on swimming, which I cannot wait to get back to after 10+ months away https://literaryreview.co.uk/different-strokes https://twitter.com/RNGCrit/status/1351922254687383553