Richard Overy
Turning Points?
Kiev 1941: Hitler’s Battle for Supremacy in the East
By David Stahel
Cambridge University Press 468pp £25
The Battle of Midway
By Craig L Symonds
Oxford University Press 452pp £18.99
December 1941: Twelve Days that Began a World War
By Evan Mawdsley
Yale University Press 347pp £25
The idea that the Second World War had a ‘turning point’ or ‘turning points’ has become a historians’ parlour game. But what exactly does it mean? Few other major events have attracted the same curiosity. A turning point in the French Revolution? The Crusades? The suffragette movement? It is possible to identify continuities and discontinuities; to search out periods of accelerated change; to reflect on the narrative as a complex process of interaction between historical actors and historical context, between individual initiative and the contingent pressures that limit or advance it. But a turning point?
With the Second World War the idea of a turning point raises more questions than it answers. Some favourites – the Battle of Britain; the German halt at Moscow in 1941 – seem to come too early for a war destined to last another four or five years. Most of
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
How to ruin a film - a short guide by @TWHodgkinson:
Thomas W Hodgkinson - There Was No Sorcerer
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey
literaryreview.co.uk
How to ruin a film - a short guide by @TWHodgkinson:
Thomas W Hodgkinson - There Was No Sorcerer
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey
literaryreview.co.uk
Give the gift that lasts all year with a subscription to Literary Review. Save up to 35% on the cover price when you visit us at https://literaryreview.co.uk/subscribe and enter the code 'XMAS24'