Frances Wilson
Walks Like a Novel, Swims Like a Fish?
I’m rearranging my books. Rather than having everything muddled together I want biography and autobiography in one room and fiction in another. Sounds straightforward enough, but I’ve already come unstuck.
What should I do about fictional biography (like Virginia Woolf’s Flush), biographical fiction (like Robert Graves’s I, Claudius), fictional autobiography (Gertrude Stein’s The Autobiography of Alice B Toklas), autobiographical fiction (Sylvia Plath’s The Bell Jar), and that new-fangled thing called autofiction, which the bookshops file under fiction but I read entirely as auto? I need a set of subgenres, and will label the shelves accordingly.
But what about James Frey’s A Million Little Pieces? Autobiography or fiction? A Million Little Pieces, published in 2003, is the story of how Frey washed up in a rehabilitation centre suffering from alcoholism and drug-addiction. He had been an alcoholic since he was thirteen; he then discovered crystal meth and, aged twenty-three, reached rock-bottom. He describes crashing into a police car while high, resisting arrest, serving a three-month jail sentence and being a wanted man in three states.
Selected for Oprah’s Book Club in 2005, A Million Little Pieces outsold any book that Oprah had ever plugged. It was the number one paperback non-fiction book on the New York Times bestseller list and a number one seller on Amazon, which is not bad for a writer whose
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
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Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk