Frances Wilson
Whose Life Is It Anyway?
Imagine the scene. Go on, project yourself into that marquee at the Brisbane Writers Festival this September when Lionel Shriver stood up at the pulpit to give the keynote speech, entitled ‘Fiction and Identity Politics’. She had been asked to speak on the subject of ‘community and belonging’, but, as she put it, expecting a ‘renowned iconoclast’ such as herself to tackle anything so mushy was like asking a ‘great white shark to balance a beach ball on its nose’.
I’ve been imagining the scene ever since the story broke; in fact I can’t get it out of my head. The coverage, after all, has been particularly vivid: The Guardian printed the full transcript of Shriver’s talk, which can be read against the account (also published in The Guardian)
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
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Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
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Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk