Claire Harman

Who’s In, Who’s Out?

Oliver Goldsmith once wrote a ‘Reverie’ in which he imagined standing in an inn yard, trying to board ‘a small carriage, Berlin fashion’ that would take a few choice passengers to the Temple of Fame. Two hopeful men of letters (names withheld, but easily recognisable by most readers in 1759 as Arthur Murphy and John Hill) were refused entrance by the driver of this ‘fame machine’; Smollett, Johnson and Hume all got on board. Goldsmith himself tried to gain access by showing the driver a copy of The Bee, the magazine in which his odd little fantasy appeared. But The Bee was his undoing; the driver took one look at it and told him to buzz off.

Sign Up to our newsletter

Receive free articles, highlights from the archive, news, details of prizes, and much more.

Follow Literary Review on Twitter

  • Last Tweets

    • 'One of the reasons for its longevity is that it has virtually nothing to say about science and technology at all,… ,
    • 'The characters in many of these stories are trapped in the obsessive present tense of their own thoughts; in the m… ,
    • 'Libraries, for much of their existence, have embodied in microcosm many of the characteristics of the totalitarian… ,
    • 'Moss and Cynthia buy several properties through which to launder their ill-gotten gains, take lots of drugs, have… ,
    • 'Never mind the imperial cult. This is the cult of Boris. What happened to Rome?' From the LR archive:… ,
    • Thirty-two years ago this month, we published Muriel Spark's short story, 'A Playhouse Called Remarkable' Read it… ,
    • Time travel, bicycles and white horses populate @WomackPhilip's roundup of children's books by @marcussedgwick,… ,