Fiona Shaw

Year of the Woman

Script Girls


BFI 172pp order from our bookshop

David Mamet’s description of Hollywood as a sinkhole of depraved veniality remains at odds with our hopeless hope that it can become ‘a protective monastery of aesthetic Truth’. Annually, droves of writers, actors, directors and producers go there to create, and if the place is decadent, it is because they are forbidden to do so by a monstrous economic machine which hijacked the system a long time ago. Screenwriting was the early victim of this system, partly because as an activity it is hard to define. Pages that entice the performer and investor through the letter box are rarely the ‘sides’ that are utilised on the shooting day. (Sides are the multicoloured sheets which have been processed the night before.) They are the result of renegotiation and simplification. Screenwriting, unlike theatre writing, is not the expression of the unconscious self but the compromised conclusion of an original idea.

Follow Literary Review on Twitter

  • Last Tweets

    • Lecture on war and peace in 19th-century Europe by Professor Sir Richard Evans, Thurs 25 Oct, 6.30pm Europe House… ,
    • 'Why, throughout the world, are so many people fascinated by the fiction and reality of espionage? And why of all p… ,
    • . here on books, Muriel Spark and life's tangled dance ,
    • RT : There aren't enough aggressive subtitles these days: ,
    • Churchill's on the cover of the October edition of the magazine. Piers Brendon reviews two new books about the Brit… ,
    • 'Readers have no more power to predict where the next story is going to take them than the prisoners had to determi… ,
    • 'Ho was no Soviet or Chinese puppet. He was a nationalist first and foremost. Had the Americans just realised this.… ,