Fiona Shaw

Year of the Woman

Script Girls

By

BFI 172pp order from our bookshop

David Mamet’s description of Hollywood as a sinkhole of depraved veniality remains at odds with our hopeless hope that it can become ‘a protective monastery of aesthetic Truth’. Annually, droves of writers, actors, directors and producers go there to create, and if the place is decadent, it is because they are forbidden to do so by a monstrous economic machine which hijacked the system a long time ago. Screenwriting was the early victim of this system, partly because as an activity it is hard to define. Pages that entice the performer and investor through the letter box are rarely the ‘sides’ that are utilised on the shooting day. (Sides are the multicoloured sheets which have been processed the night before.) They are the result of renegotiation and simplification. Screenwriting, unlike theatre writing, is not the expression of the unconscious self but the compromised conclusion of an original idea.

Sign Up to our newsletter

Receive free articles, highlights from the archive, news, details of prizes, and much more.

Follow Literary Review on Twitter

  • Last Tweets

    • 'To be clever without wanting to glory in it, put dimmer people down or make an act of covering it up (viz Boris Jo… ,
    • 'Her favourite design included a body in the shape of a horse, with a steam engine inside ... The passenger would t… ,
    • Sign up to our email newsletter below! Get free articles, highlights from the archive, and chances to win theatre… ,
    • RT : Founded in 1979, is a trusted independent source for reviews of new books across a variety of genres. A… ,
    • RT : Here we are - "Shelf Indulgence" by Ed Potten, a wonderful read, well worth your time: @Lit_Review,
    • 'Like going to a party hoping to get away as quickly as politeness allowed and at 4am finding myself still engrosse… ,
    • 'Neville never shed his sense of being the junior, and perhaps least-deserving Chamberlain.' From the archive, Mic… ,