Frances Wilson
Confessions of a Chav
The psycho-slut is back (‘body from Baywatch, face from Crimewatch’), and the latest incarnation of ‘Mad Tracey from Margate’, as she calls herself, comes in the form of literary, rather than visual, confessions. Strangeland appears ten years after Emin hit notoriety with another form of autobiography, ‘Everyone I Have Ever Slept With, 1963–1995’, the tent on which she sewed the names of all those who had ever shared her bed, including members of her family and her aborted foetus.
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