Jonathan Meades
England’s California?
The Buildings of England: Dorset
By Michael Hill, John Newman & Nikolaus Pevsner
Yale University Press 864pp £35
The first edition of The Buildings of England: Dorset was published in 1972: 110 x 185 x 30mm, 554 pages. The new edition comes in at 110 x 220 x 40mm and 864 pages. The sheer weight and the impressively bloated dimensions restrict the book’s utility. It doesn’t fit into any pocket other than a poacher’s so is fated to be a deskbound encyclopaedia rather than a portable guide.
What has happened to Dorset in the intervening four and a half decades to justify such distension? In 1972 the Jurassic Coast had not been designated as such and the county had yet to become a de facto architectural laboratory in which whimsical experiments would sully the countryside, contaminate towns and disfigure the coast. These experiments may be stylistically disparate but they are bound together in their creators’ determination to lurch headlong into the past. The work ranges from pastiche to what might be called trashtiche, from the very approximately simulated Old Englishness of the Prince of Wales’s wretched new town, Poundbury, through some arch exercises in Arts and Crafts revivalism to a coarse neo-modernism that has spread like a rash from Sandbanks and Canford Cliffs to
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk