Jonathan Meades
Neolithic Concrete Wonders
Fake Heritage: Why We Rebuild Monuments
By John Darlington
Yale University Press 248pp £25
Peter Nichols called God ‘a sort of manic depressive rugby-footballer’. The same might be said of those in charge of Britain’s public schools, with their compulsory Anglican ‘worship’, compulsory team spirit, compulsory militarism, compulsory misery and compulsory importuning of former pupils to contribute to this or that vacuous project. This last has nothing to do with education and everything to do with disseminating ‘the brand’: the headteacher, the hearty paedophile, the rosy-cheeked sky pilot, the donnish beak – these persons are in fact far down the school hierarchy, at the summit of which sits the marketing manager.
This creature’s job is to roll out clones of the original for easily impressed Singaporeans and Malaysians, either ignorant of the horrors of public schools or eager to get their children off their hands. Among the contributors to this specialised form of internationalism is Wellington College, the most architecturally interesting
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
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Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk