Jonathan Meades
Neolithic Concrete Wonders
Fake Heritage: Why We Rebuild Monuments
By John Darlington
Yale University Press 248pp £25
Peter Nichols called God ‘a sort of manic depressive rugby-footballer’. The same might be said of those in charge of Britain’s public schools, with their compulsory Anglican ‘worship’, compulsory team spirit, compulsory militarism, compulsory misery and compulsory importuning of former pupils to contribute to this or that vacuous project. This last has nothing to do with education and everything to do with disseminating ‘the brand’: the headteacher, the hearty paedophile, the rosy-cheeked sky pilot, the donnish beak – these persons are in fact far down the school hierarchy, at the summit of which sits the marketing manager.
This creature’s job is to roll out clones of the original for easily impressed Singaporeans and Malaysians, either ignorant of the horrors of public schools or eager to get their children off their hands. Among the contributors to this specialised form of internationalism is Wellington College, the most architecturally interesting
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk