Frances Wilson
From Aristotle to Amazon
The popular image of the critic is no longer the dishevelled and much loved figure of Dr Johnson, half-blind and bent over, a tattered coat heaped around his great carcass, a head swollen with reading, hands hanging at his sides like fallen nests. Nor is it any more Natasha and Crispin Critic, the smug, name-dropping, urban airheads sent up by Viz at the end of the twentieth century. The image of the critic today, if he or she is imagined at all, is of someone neither learned nor elite. Once revered and then despised, the contemporary critic is now regarded as redundant, and for an increasing number of critics this is literally the case.
These are the best of times and the worst of times for literary criticism: the best of times because at least we still have Harold Bloom, who is always right, to tell us how and what to read; and the worst of times because Bloom says they are.
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Paul Gauguin kept house with a teenage ‘wife’ in French Polynesia, islands whose culture he is often accused of ransacking for his art.
@StephenSmithWDS asks if Gauguin is still worth looking at.
Stephen Smith - Art of Rebellion
Stephen Smith: Art of Rebellion - Wild Thing: A Life of Paul Gauguin by Sue Prideaux
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‘I have fond memories of discussing Lorca and the state of Andalusian theatre with Antonio Banderas as Lauren Bacall sat on the dressing-room couch.’
@henryhitchings on Simon Russell Beale.
Henry Hitchings - The Play’s the Thing
Henry Hitchings: The Play’s the Thing - A Piece of Work: Playing Shakespeare & Other Stories by Simon Russell Beale
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We are saddened to hear of the death of Fredric Jameson.
Here, from 1983, is Terry Eagleton’s review of The Political Unconscious.
Terry Eagleton - Supermarket of the Mind
Terry Eagleton: Supermarket of the Mind - The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson
literaryreview.co.uk