Piers Brendon
From Great Power to PLC
The Rise and Fall of the British Nation: A Twentieth-century History
By David Edgerton
Allen Lane 682pp £30
David Edgerton is a myth-buster extraordinaire. Whether explaining how new technologies did not at once supersede old ones (steamships were slow to overtake clippers) or demonstrating that Britain was more than an industrial match for Germany in 1940 and by no means caught up in a spiral of terminal decline, he overturns long-cherished assumptions about our past. His new book, a nuts-and-bolts account of 20th-century British history that is original, opinionated, scholarly, complex and immensely stimulating, challenges received wisdom on many fronts.
Lloyd George’s People’s Budget (1909) was not, as it’s usually portrayed, just about welfare. It was also about warfare, raising the money to pay for new dreadnoughts through taxes imposed on the poor as well as the rich. Britain did not ‘change hands’ through property sales after the Great War: even today, much of the land still belongs to the same families that owned it in 1900. The ‘people’s war’ against Hitler was not as it has been represented, either in terms of equality of sacrifice (the old and indigent suffered disproportionately) or in terms of consistently improved health. The British ruling class was not effete, inept and decadent, as often depicted, but strong, accomplished and capitalistic.
Contrary to the canard that suggests otherwise, British intellectuals and technocrats do exist, though Britain’s inventive superiority has been exaggerated. Ardil, the artificial wool made by ICI from peanuts, was, for instance, a failure, especially in the rain – Art Buchwald teasingly suggested that a rival company might hope to
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Richard Flanagan's Question 7 is this year's winner of the @BGPrize.
In her review from our June issue, @rosalyster delves into Tasmania, nuclear physics, romance and Chekhov.
Rosa Lyster - Kiss of Death
Rosa Lyster: Kiss of Death - Question 7 by Richard Flanagan
literaryreview.co.uk
‘At times, Orbital feels almost like a long poem.’
@sam3reynolds on Samantha Harvey’s Orbital, the winner of this year’s @TheBookerPrizes
Sam Reynolds - Islands in the Sky
Sam Reynolds: Islands in the Sky - Orbital by Samantha Harvey
literaryreview.co.uk
Nick Harkaway, John le Carré's son, has gone back to the 1960s with a new novel featuring his father's anti-hero, George Smiley.
But is this the missing link in le Carré’s oeuvre, asks @ddguttenplan, or is there something awry?
D D Guttenplan - Smiley Redux
D D Guttenplan: Smiley Redux - Karla’s Choice by Nick Harkaway
literaryreview.co.uk