Diana Athill
Henry + Jules = Gustave
Flaubert: A Biography
By Frederick Brown
William Heinemann 628pp £25
This is a spacious biography, giving the mistaken but agreeable impression that the solid foundations on which it rests are perfectly natural, rather than built by scholarly accumulation of learning. When Frederick Brown's story leads him to a city, a group of subsidiary characters, the state of medicine in the early nineteenth century, or some crisis in French politics, he follows it into and around them as though he had all the time in the world. I feared at first that this would try one's patience, but soon found that if one relaxes and allows him to take one with him without fussing, it becomes very rewarding. I emerged from his book knowing a great deal about many events and individuals unfamiliar to me. And, of course, about Gustave Flaubert.
Not that there is much in the way of new facts to learn about someone as well documented as Flaubert; but if a man is truly extraordinary, what one wants is less the new than simply to be in his company, to marvel at him, laugh at him, disapprove of
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk