Laura Gallagher
History Girls
Darkling
By Laura Beatty
Chatto & Windus 400pp £16.99
Author of two biographies and one previous novel, Pollard, Laura Beatty now blends these genres in Darkling, which weds the life of 21st-century researcher Mia Morgan (fictional) to that of her real historical subject, Lady Brilliana Harley (1598–1643). Through Mia we learn of Brilliana’s marriage, motherhood, Puritanism and defence of Brampton Bryan Castle under Royalist siege in the Civil War. As Mia struggles to reconstruct her subject we witness the developments in her own life as well as the process of biography. Very metafictional – or metabiographical, perhaps.
The seamless transitions between historical source and fictional narrative are gratifying. In one breath Mia is reading a ‘diligent local record’, in the next we’re told that ‘Thomas Jukes, a bauling, bould, confident person … would make noe more account of Sir Humphrey, than if hee had been a plow-boy.’
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk