Laura Gallagher
Papa and His Girls
Mrs Hemingway
By Naomi Wood
Picador 336pp £12.99
Naomi Wood’s second novel has taken an entirely different direction from her first, The Godless Boys, which explored religious and atheist extremism in an alternative-reality England of the 1980s. Mrs Hemingway tells the story of Ernest Hemingway’s four marriages, allotting sections in sequence to Hadley Richardson, Pauline Pfeiffer, Martha Gellhorn and Mary Welsh. Though all are in the third person, each section is effectively narrated from the perspective of the wife in question. We are offered a complete portrait not of each woman but only of her relationship with Ernest, producing a novel that is something between a fictional biography of the writer as seen by his wives and a genealogy of the title ‘Mrs Hemingway’. For these women the name Hemingway is, rather like a crown, much desired and desperately clung to, usurped or abdicated. The scene opens in Antibes in 1926, where ‘everything, now, is done à trois’: mistress Pauline Pfeiffer, known as Fife, makes an unhappy ménage with Ernest and first wife, Hadley, on a summer retreat; thereafter the action moves freely in time until it closes in September 1961, as Mary struggles to accept her husband’s suicide.
The novel is well researched, the raw material interesting, the selection and arrangement of it cleverly done. The irony, for instance, of Hadley’s subsequent turn as a mistress in someone else’s marriage is archly revealed in Fife’s section. The structuring of fictional elements (not that they are easily separated from
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner