Donald Rayfield
Lust For Life
Catherine the Great
By Simon Dixon
Profile Books 448pp £25
Even in the company of her peers – Queen Elizabeth I of England, Queen Christiana of Sweden, the empress Maria Theresa – Catherine the Great stands out as an empire-builder, a larger-than-life, exceptionally astute, lucky and energetic politician. One of only three Russian rulers to be awarded the sobriquet ‘the Great’, Catherine, like Peter the Great, polarises biographers. Most historians who compare the Russia she inherited (or usurped) in 1762 with the Russia she bequeathed in 1796, and who weigh the enormous odds (hostile neighbours, a reactionary aristocracy and clergy, an enormous country with ruined finances, no roads and a resentful enslaved peasantry), end by adulating her. Puritanical or sensationalist biographers, however, conclude that she was a monster: the fifteen-year-old minor German princess from hell, who eventually with her lovers’ help murders her husband to grab a throne and – Machiavelli in the mornings, Messalina in the afternoons – devours her neighbours (Poland, the Crimea and Georgia), bankrupts her country with her palaces and furnishings, writes reams of derivative political treatises, edifying fairy stories and self-justifying love letters, neglects her bastard children, tortures her enemies and conducts a relentless public relations exercise so that Diderot, Voltaire and Grimm declare her to be the model of an enlightened ruler even while she bans and burns their works.
There is no doubt, however, that the Catherine the Great of sensational biography has taken on a life of her own. She was a philosopher’s dream: a monarch who treated them as equals. Few philosophers (and, surprisingly, Rousseau was one) remembered the fate of Seneca and decided to
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner