‘Trust the players,’ 89-year-old Bernard Haitink told a twenty-something conductor in Lucerne this spring, ‘they have so much more experience than you do.’ Haitink says relatively little during his conducting master classes, but all of it – mostly common sense – has a profound effect upon his acolytes. Whether more of that kind of sound advice could fill a book might seem doubtful. Yet it does, compellingly.
Follow Literary Review on Twitter
'The Craft’s first martyr', John Coustos 'became a celebrity and a sensational symbol for the causes it would claim: tolerance, rational inquiry, cross-border cosmopolitanism, relative equality and enlightened faith.'
@darrin_mcmahon on the freemasons.
'"Dutch Light" roots its subject in his local environment, explaining, for example, how an abundance of sand for making glass led naturally to a thriving business in optical instruments in Holland.'
Patricia Fara on the life & work of Christiaan Huygens.
Sign up to our e-newsletter!
Get highlights from the new issue and selected archive articles, as well as exclusive competitions and subscription offers delivered straight to your inbox.