Robert Irwin
Rancour and Revolt
Setting the Desert on Fire: T E Lawrence and Britain’s Secret War in Arabia, 1916–1918
By James Barr
Bloomsbury 364pp £20
The Arab Revolt was a short-lived and peripheral sideshow in the First World War. In February 1916 Hussein, the Emir of Mecca, declared his independence from the Ottoman Empire and by October 1918 Damascus had been occupied by Arab, British and Australian forces, effectively ending the war in the Middle East. T E Lawrence’s part in that revolt was shorter yet, as he arrived in the Hejaz in October 1916 but then went straight back to Cairo to report on the (unsatisfactory) situation; it was only in December that he joined Hussein’s son, Feisal, and began to play an active part in the fighting in Arabia. Together, Lawrence and the splendidly piratical Auda Abu Tayi captured Aqaba in July 1917. Later Lawrence took a leading role in dynamiting sections of the Hejaz Railway that ran between Medina and Damascus, though the pioneers in this activity were other British officers, including Herbert Garland and Stewart Newcombe. The camel-rearing Bedouin collaborated enthusiastically in this destructive activity, since the railway, completed in 1908, had deprived them of their previous role transporting and protecting goods and people destined for Mecca and Medina. Besides, the dynamiting of trains offered good prospects for loot.
Loot apart, the Arab Revolt was fuelled by British gold, much of which was passed by Lawrence to the chiefs of various Bedouin tribes. On the British side, the struggle against the Turks in Arabia and later Syria seems to have been fuelled by individual obsessions, mutual rancour and racial
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Literary Review is seeking an editorial intern.
Though Jean-Michel Basquiat was a sensation in his lifetime, it was thirty years after his death that one of his pieces fetched a record price of $110.5 million.
Stephen Smith explores the artist's starry afterlife.
Stephen Smith - Paint Fast, Die Young
Stephen Smith: Paint Fast, Die Young - Jean-Michel Basquiat: The Making of an Icon by Doug Woodham
literaryreview.co.uk
15th-century news transmission was a slow business, reliant on horses and ships. As the centuries passed, though, mass newspapers and faster transport sped things up.
John Adamson examines how this evolution changed Europe.
John Adamson - Hold the Front Page
John Adamson: Hold the Front Page - The Great Exchange: Making the News in Early Modern Europe by Joad Raymond Wren
literaryreview.co.uk