Contributors
more- Carole Angier
- Diana Athill
- Martyn Bedford
- Christopher Bray
- Michael Burleigh
- Christopher Coker
- Amanda Craig
- Farrukh Dhondy
- John Dugdale
- John de Falbe
- A C Grayling
- Valerie Grove
- Christopher Hart
- Roy Hattersley
- Sudhir Hazareesingh
- Gill Hornby
- Robert Irwin
- Paul Johnson
- Nigel Jones
- P J Kavanagh
- Jonathan Keates
- Francis King
- Sam Leith
- Lucy Lethbridge
- Andrew Lycett
- Jessica Mann
- Justin Marozzi
- Allan Massie
- Hugh Massingberd
- Jonathan Mirsky
- Philip Mould
- Robert Nye
- Ruth Padel
- William Palmer
- Lucy Popescu
- John Martin Robinson
- Sebastian Shakespeare
- Adam Sisman
- Graham Stewart
- Matt Thorne
- Brendan Walsh
- Peter Washington
- Alexander Waugh
- Frances Wilson
- Philip Womack
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Unlike much that was extracted from India, these paintings were not plunder, and those who created them were properly remunerated and often received due credit.'
@PParkerWriting on 'Forgotten Masters: Indian Painting for the East India Company'.
https://literaryreview.co.uk/artists-for-hire
‘"I feel", Lowell told Hardwick ... "as if I were pulled apart and thinning into mist, or rather being torn apart and still preferring that state to making a decision."'
Richard Davenport-Hines on the letters of Robert Lowell and Elizabeth Hardwick.
https://literaryreview.co.uk/yours-unfaithfully-2
'To me, Elmore Leonard is as comforting in extremity as Pym, and as safe, in the last resort, as Wodehouse. The guys with the best lines are going to come out the other side; the dumb fucks are going to get it in the head or chest.'
https://literaryreview.co.uk/a-spoonful-of-elmore