Frances Wilson
The School of Hardbacks
How to Be a Heroine: Or, What I’ve Learned from Reading Too Much
By Samantha Ellis
Chatto & Windus 272pp £16.99
Samantha Ellis is a dramatist and bibliomaniac. Her mother, an Iraqi Jew, was persecuted and imprisoned before escaping from Baghdad and arriving in London, where she met and married Ellis’s father. Growing up with stories of her family’s heroic past, Ellis dreamed of having adventures of her own and of one day escaping from the small, contained north London Jewish community in which she was raised. As soon as she could read, she absorbed herself in the lives of other – fictional – heroines, whom she used as signposts to her freedom.
These figures were drawn from the usual syllabus for growing girls: A Little Princess, Little Women, Ballet Shoes, Anne of Green Gables, Pride and Prejudice, Gone with the Wind and Jilly Cooper’s Riders. Ellis gleaned something from each of them: from Ballet Shoes she understood what stage fright felt like;
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk