Houman Barekat
When the Music Stops
Swing Time
By Zadie Smith
Hamish Hamilton 453pp £18.99
Zadie Smith’s fifth novel tells the story of two close friends, brown-skinned girls from northwest London who share an obsession with dance. The pair grow apart: Tracey just about makes it to the West End stage while the narrator-protagonist lands a job as a PA to a millionaire pop star named Aimee, who is a cross between Madonna and Miley Cyrus. When Aimee embarks on a philanthropic venture in an unnamed West African republic, Smith’s protagonist – already quite politically conscious thanks to the efforts of her mother, a left-wing autodidact who works her way up from local activist to Member of Parliament – witnesses at first hand the iniquities of globalisation.
The narrator’s friendship with Tracey goes awry – the kind of atrophying, wrought by mutual envy and resentment, that does for many a ‘best-friend’ relationship in the transition to adulthood – but her personal travails are merely a conduit for a broader sociopolitical panorama. Swing Time is set in
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk