Paul Lay
Anglosphere of Influence
How We Invented Freedom & Why It Matters
By Daniel Hannan
Head of Zeus 399pp £20
The success of the London Olympics in 2012 can be traced to its opening ceremony. For the first time in generations, an attempt was made to create an aspirational myth from the history of the British Isles. The filmmaker Danny Boyle, aided by the writer Frank Cottrell Boyce, forged a journey from pastoral to industrial, which attempted to draw lessons from a century of managed decline, tempered by decades of cultural creativity. Quirky and self-referential, it offered a leftish tale of mild decadence, multiculturalism and a deep reluctance to reform the state religion of the NHS.
In this readable and provocative volume, Daniel Hannan attempts to do something similar for the Right, though his reading of history is more substantial and, in some of its inspirations, surprising. For example, Hannan, a small-state Conservative MEP of an unashamedly Whiggish bent, puts the Levellers of the mid-17th century
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
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Piers Brendon compares Benson’s journals to others from the 20th century.
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Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk