From the February 2021 Issue A Great Director or Just a God? Stanley Kubrick: American Filmmaker By David Mikics LR
From the May 2020 Issue Sex & Sculpture Circles and Squares: The Lives and Art of the Hampstead Modernists By Caroline Maclean
From the December 2019 Issue Daffodils & Telephone Directories Yellow: The History of a Color By Michel Pastoureau (Translated from French by Jody Gladding)
From the July 2019 Issue He Went from Peak to Peak Beyond the Thirty-Nine Steps: A Life of John Buchan By Ursula Buchan LR
From the December 2018 Issue Brod’s Bequest Kafka’s Last Trial: The Case of a Literary Legacy By Benjamin Balint
From the November 2018 Issue Something to Sink Your Teeth Into The Vampire: A New History By Nick Groom LR
From the July 2018 Issue The Critic’s Critic The Ink Trade: Selected Journalism 1961–1993 By Anthony Burgess (Edited by Will Carr) LR
From the June 2018 Issue The Jeddah Gang Behind the Lawrence Legend: The Forgotten Few Who Shaped the Arab Revolt By Philip Walker LR
From the March 2018 Issue Plenty of Sex & Nowhere to Sit Left Bank: Art, Passion and the Rebirth of Paris 1940–50 By Agnès Poirier
From the February 2018 Issue In the Court of the Seelie King Magical Folk: British and Irish Fairies, 500 AD to the Present By Simon Young & Ceri Houlbrook (edd) LR
From the October 2017 Issue Rise to the Occasion Levitation: The Science, Myth and Magic of Suspension By Peter Adey LR
From the April 2017 Issue Shades of Sin Red: The History of a Color By Michel Pastoureau (Translated by Jody Gladding) LR
From the February 2017 Issue Top Kat Krazy: George Herriman – A Life in Black and White By Michael Tisserand LR
From the December 2016 Issue Enfant Terrible Jean Cocteau: A Life By Claude Arnaud (Translated by Lauren Elkin & Charlotte Mandell)
From the October 2016 Issue Civilising Influence Kenneth Clark: Life, Art and 'Civilisation' By James Stourton LR
From the September 2016 Issue Use Your Illusions Conjuring Asia: Magic, Orientalism, and the Making of the Modern World By Chris Goto-Jones LR
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London's East End was long synonymous with poverty and sweatshops, while its West End was associated with glamour and high society. But when it came to the fashion industry, were the differences really so profound?
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