Kevin Jackson
The Critic’s Critic
The Ink Trade: Selected Journalism 1961–1993
By Anthony Burgess (Edited by Will Carr)
Carcanet 274pp £19.99 order from our bookshop
This volume is made up almost entirely of Anthony Burgess’s book reviews and literary essays for The Guardian, The Observer, The Listener, the New York Times and The Spectator – for the most part, that is, for publications aimed at a fairly literate general readership, not at scholars and academics. He needed, then, the talent to amuse as well as to instruct, to praise, to question and to pooh-pooh, and he had those talents in abundance. Burgess also had another crucial virtue, as one of his literary editors, Peter Green, once pointed out in a BBC interview: he was a pro. You could always rely on him to file on time and at the agreed length, and his copy was so well crafted that only a fool or a creep would feel the need to tinker with it. As Green said, these are qualities for which an editor would cheerfully kill.
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The minimalist Fumio Sasaki 'confesses that as he began to purchase fewer consumer goods, his meals shrank in size. He decluttered and lost weight. Accumulation is not just an economic way of life but a form of embodiment too. Enlightenment is reduction.'
https://literaryreview.co.uk/gardens-of-emptiness
'The river’s desecration mirrors Colombia’s long history of violence: "for years we treated it like a sewer," says Ahmed, a survivor of a particularly brutal paramilitary massacre, "just like we treated each other".'
Patrick Wilcken on the Magdalena.
https://literaryreview.co.uk/troubled-waters-3
It's 'all lively and entertaining but rather too black and white. Her account of British politics and the success of the Brexit campaign verges on the cartoonish.'
@David_Goodhart on Anne Applebaum's 'Twilight on Democracy'.
https://literaryreview.co.uk/a-tale-of-two-parties