Adrian Turpin
Love among the Drones
I Saw a Man
By Owen Sheers
Faber & Faber 320pp £14.99
Distance is the best form of defence, advises a fencing instructor in I Saw a Man. But Owen Sheers’s second novel suggests that, away from the piste, such an approach to life can come at a high ethical and psychological cost. Its protagonist, Michael Turner, is a young British writer who has made a name for himself through a book exploring the lives of two brothers on the fringes of New York gangs. His technique is to immerse himself so thoroughly in his subjects’ lives that they forget his presence, then to eradicate all traces of himself from the resulting story.
Like the figure on the stair in Hughes Mearns’s poem ‘Antigonish’ (from which the book takes both its title and its epigraph), Michael is the ‘man who wasn’t there’. In the brothers’ case, this is doubly and painfully true. When the book becomes a bestseller, Michael drifts out of their lives and back across the Atlantic; he is simply ‘another disappointment
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk