Adrian Turpin
Goons, Guns, and Women
From Elmore Leonard to Cormac McCarthy, noir fiction and its cinematic spin-offs have seldom been as popular as today, prompting a small army of cultural commentators to seek explanations for the genre’s success. Is it the clear-cut gender roles we crave? Maybe the appeal can be found in its rough-and-ready codes of honour and revenge, fictional comforts in an era of less black-and-white values? Or perhaps noir holds up a mirror to a culture of barely restrained individualism?
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Don't forget to enter the competition to win a year's @royalacademy membership and a year's subscription to Literary Review.
Entries close on the 18th December.
https://www.royalacademy.org.uk/page/ra-competition-literary-review-2019
'Together the Marcoses established a new style of deluxe autocracy, one characterised by glitz and kleptomaniac graft.'
Peter Conrad on Lauren Greenfield's new documentary about Imelda Marcos, 'The Kingmaker'.
http://ow.ly/FFSg50xsH7D
Thrillers by @sophiehannahCB1, @ccmacdwriter, Rebecca Wait, @deborah_masson, @helensedgwick, Chris Hammer, @stephycha, @McCrumMark, @LesleyKara and @BarryForshaw3.
PLUS, @NJCooper_crime picks her favourite crime novels of 2019.
http://ow.ly/YjiP50xrsnl