Adrian Turpin
The Concern
A nameless man lies in a hospital bed. A shadowy organisation runs the world. A boy grows up in a religious sect. Fans of Iain Banks will find him revisiting quite a lot of old ground in his new novel. The Bridge, The Business and Whit are just three previous fictions that this book self-consciously echoes. Throw in a dodgy capitalist geezer, some extreme sadism and a few high-definition sex scenes and what we have is the literary equivalent of a greatest hits album.
Yet, despite the familiarity of some of its elements, Transition does seem to represent a departure in a couple of ways. First, it attempts to cross the divide between the work of the literary novelist Iain Banks and his alter ego, the sci-fi writer Iain M Banks. Second,
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Empathy is our moral portal gun, and it jams from underuse.'
Don Paterson on Portal 2, catching Covid on the Eurostar, and rereading Ian Hamilton’s 'Against Oblivion'.
https://literaryreview.co.uk/portal-agony
'Few people ... have ever taken Bunting, in his deep strangeness, as representing anything or anyone beyond himself.'
@nemoloris on Basil Bunting, the 'demon of delinquency'.
https://literaryreview.co.uk/long-road-to-briggflatts
'Most national anthems start at the top and find their place with the people ... few come from the people and find their place at the top, though I still live in hope for "Sunshine on Leith".'
Robert Colls on how 'Jerusalem' became our unofficial anthem.
https://literaryreview.co.uk/o-clouds-unfold