Hugo Wilcken’s haunting existential thriller is not so much one reflection as a hall of mirrors, at times dazzling, often a little dizzying. This is a book that flirts openly with its influences, from Kafka and Hitchcock to Paul Auster to 1950s noir.
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'The return of nature to Wordsworthian commentary is a corollary of the environmentalist spirit of the age.'
Seamus Perry on Jonathan Bate's 'Radical Wordsworth'.
https://literaryreview.co.uk/force-of-nature
My review of Samanta Schewblin's 'Little Eyes', in this month's issue of @Lit_Review
https://literaryreview.co.uk/tamagotcha
'Has the printed book finally outlived its span?' asks @AdamCSDouglas. 'If so, how long can the rare book trade continue? And how much longer can we keep flying in fat-bellied jets to gather in some foreign land to exhibit our wares?'
https://literaryreview.co.uk/how-long-can-we-keep-doing-this