Carole Angier
Messner’s Wrath
Indignation
By Philip Roth
Jonathan Cape 233pp £16.99
In Indignation Philip Roth returns once more to his roots – to Newark, his poor, wildly warm Jewish family, and his move away from both into the rich, cold WASP world. There are echoes of Goodbye Columbus and Portnoy’s Complaint – especially the latter, since young Alexander Portnoy also sang the Chinese national anthem at school in the early 1950s: ‘Indignation fills the hearts of all our countrymen/ Arise! Arise! Arise!’
This is all to the good. Whenever Roth draws on that original spring of inspiration – in both Columbus and Portnoy, in Patrimony (a memoir of his father’s death), most recently in The Plot Against America – he produces, to my mind, his best and truest work. And in many
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk