David Wheatley
The Trump of Modern Satire?
Peaches Goes It Alone
By Frederick Seidel
Faber & Faber 112pp £10.99
Girlhood
By Julia Copus
Faber & Faber 88pp £14.99
Counting Backwards: Poems 1975–2017
By Helen Dunmore
Bloodaxe 416pp £14.99
‘Every woman who wants to be spanked should be/Spanked for wanting to be’, writes Frederick Seidel, before going on to compare a rear view of the spankee to ‘A hooded cobra about to strike, exactly what a hissing vagina looks like!’ Like the boy in The Pickwick Papers who ‘wants to make your flesh creep’, Seidel has our gag reflex in his sights, and the faster our dash to outrage the more we may suspect we are obliging rather than disappointing this poet-provocateur. ‘Can’t say anything these days, can you?’ asks the satirist, cupping his ear greedily for our response. Do we play along or not?
In Donald Trump, Seidel may have found his ideal subject. He pulls off the strange feat of excoriating Trump while trashing the codes of civility and restraint in which disdain for the US president is normally couched. Where the moralist might reach for edifying dreams of national rebirth, Seidel resorts
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk