Contributors
more- Nigel Andrew
- Paul Bailey
- Oliver Balch
- Jonathan Barnes
- Stephen Bates
- Edward Behrens
- William Blacker
- Piers Brendon
- Francesca Carington
- Anthony Daniels
- Gillian Darley
- David Ekserdjian
- David Gelber
- David Gilmour
- Victoria Glendinning
- John Gray
- John Gribbin
- John Harwood
- Liam Hess
- Ronald Hutton
- Kevin Jackson
- Lucy Lethbridge
- Jessica Mann
- James Marriott
- Stoddard Martin
- Frank McLynn
- Jonathan Mirsky
- Lucy Moore
- Peter Moore
- Jan Morris
- Nadira Naipaul
- Megan Nolan
- Eric Ormsby
- William Palmer
- Lucy Popescu
- Lucian Robinson
- Peter Scupham
- Miranda Seymour
- Gillian Slovo
- Joan Smith
- Matthew Sturgis
- Jonathan Sumption
- Judith Vidal-Hall
- Martin Vander Weyer
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk