Men and women of genius tend to have their contradictions, but James Joyce carried that tendency to an almost baffling extreme. Some people found him howlingly arrogant, others noted his shyness and diffident courtesy. He was a hopeless spendthrift and chronic drunkard, but strongly disapproved of bohemian behaviour in others. He is considered a major artistic revolutionary, the best equivalent in prose to Picasso or Schoenberg, but his private artistic tastes ran to sentimental ballads, jolly music-hall songs and conventional family portraits. He could be admirably stoical, putting up with agonising eye operations and years of near-blindness with minimal complaint; but he could also indulge in orgies of childish self-pity and fits of blubbing.